While I was still at SAGA Press, I was handed a very challenging series to work on. This series is best described as Juno meets The Hitchhiker’s Guide to the Galaxy. It’s a sassy tongue-in -cheek story of … Read More
DAY 1 9:00am—In the studio, washed, dressed and ready to work. DAY 30 2:20pm—”How can it possibly be after noon if I’m still in pajamas?”
I assure you that’s an extreme exaggeration simply placed for comedic effect. It does illustrate … Read More
SFBC Edition of Fahrenheit 451
As an Art Director, guiding an illustrator through to the final image is a part of the job. It’s an extremely rewarding aspect of my role, especially when you realize that the final art … Read More
To read Part I, please click here. To read Part II, please click here. ART IMITATES LIFE: An Exploration on the Advancements in the History of Animation Technology and the Effect on the Final Image is my college thesis submitted as part … Read More
To read Part I, please click here. ART IMITATES LIFE: An Exploration on the Advancements in the History of Animation Technology and the Effect on the Final Image is my college thesis submitted as part of the Visual Communication program … Read More
Animation is derived from the fascination of light and motion.1 There were many precursors and experiments which eventually led to the form of animation that can be identified with today.
Since these experiments, people have been adding enhancements to the basic process of animation. From Winsor McCay and his assistants, where all the artwork was drawn by hand, to Walt Disney and his studio of artists who made the feature-length animated film a reality, to Bill Hanna and Joe Barbera and their studios which produced many television animated cartoons, and finally today with the influence of our current technology where animation thrives in almost every aspect of communication. Through these times (1900 with Winsor McCay and “Gertie the Dinosaur” until the present) technology has influenced and changed the look of animation. From the black and white silent films to the brilliance of color and the vibrancy of sound. From the illusion of dimensionality with the multiplane camera to the xerographic line process where the colors only need to be added. Finally the influence of the computer which eliminated the tedious work of inking and painting each individual cel and aided in the production of complicated scenes which would normally involve a large team of artists.
Animation is a task which includes the collaboration of many people: animators, assistant animators, inbetweeners, layout people, story people, background artists, voice talents, composers, musicians, camera operators, editors, producers, and directors. It is the creative collaboration of these people that make an animated film. Animation has appeared as entertainment in short and full feature lengths, television shows, commercial advertisements, educational productions and most recently in the use of interactive multimedia.
Donato Giancola, Rebecca Guay, Sam Weber, Irene Gallo, Greg Manchess and Michael Whelan
Today, I attended a lecture at the Society of Illustrators in New York City concerning science fiction and fantasy art: What Lies Beyond: A Panel Discussion on … Read More
I painted this Vader portrait for Vorpalizer.com as part of their ongoing 24 hours of May the Fourth be with You! They will publish 24 Star Wars related posts (one each hour, all day) containing videos, images, articles all in tribute … Read More
Everglades wildlife, marker and watercolor
Taking a break from the bitter cold Northeast weather, my wife and I headed to Florida for a quick escape. We spent an extended weekend in the Naples area relaxing and had the opportunity … Read More
